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Book fair turns the page for literature in Somaliland
HARGEISA, Somalia, July 24, 2018 (BSS/AFP) – Aged just 16, Abdishakur
Mohamed confidently presented his latest work to the Hargeisa book fair, an
event that has transformed Somaliland’s literary scene over the past decade.
Abdishakur spent four years writing “Ab-ka haleel” (“In the footsteps of
our ancestors”), intended as a rebuttal of friends who he says were not
“embracing their culture”.
“Instead they see it as unimportant, and their Somali identity is in
danger,” he told AFP.
At the first annual event in 2008, organisers only exhibited a handful of
books borrowed from friends and attracted just 200 visitors.
Ten years on and literature has taken a prominent place in Somaliland’s
culture.
New writers have emerged, volumes are being edited, book clubs formed and
public libraries opened.
The book fair, being held from Saturday July 21 to Thursday July 26, has
been a key factor in Somaliland’s embrace of literature.
The fair now has international appeal and attracts exhibitors from across
the world while helping to raise awareness of the self-proclaimed country’s
relative stability in contrast to Somalia.
Somaliland broke away from the rest of the troubled Horn of Africa country
in 1991 — but has gone without international recognition since.
– ‘Here to encourage the young’ –
“I come because it’s a space that really allows people from all walks of
life, from ambassadors, to politicians, to artists, to thinkers; different
people to just come here and share ideas about the future of Somaliland — as
well as looking back at the past,” said filmmaker Khadra Ali.
“We are here to encourage the young people and tell them the value of
writing, whether it’s books, poetry or things related to art,” said author
and playwright Yasmin Mohamed Kahin, whose work was exhibited at this year’s
fair.
Somaliland and Somalia have a long oral storytelling tradition that
celebrates poets like Mohamed Ibrahim Warsame, known as Hadraawi, who is
considered by some to be the Somali Shakespeare.
It was only in 1972 that the Somali language was codified by the military
government of Siad Barre in an effort to strengthen national identity.
But armed resistance to Barre’s increasingly authoritarian rule slowed the
momentum of the language’s formalisation.
The Somali army subsequently bombed Hargeisa, pushing Somalilanders into
exile in Europe and the Gulf as well as to refugee camps in Ethiopia.
One visitor to the fair is activist Edna Adan, the 80-year-old former
foreign affairs minister and wife of Somaliland’s second president, Mohamed
Ibrahim Egal.
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Adan, who enjoys celebrity status among young people for her activism,
recalled her late 1990s visit to the site where the Hargeisa cultural centre
that hosts the fair now stands.
The complex, comprising a library, gallery and theatre, opened its doors
in 2014.
“I couldn’t walk in the streets here because the Somali soldiers had laid
mines,” she said.
Initial efforts to promote books and reading received a “very tepid”
response, she said.
“But then it took off extraordinarily.”
Adan added that every year there were more and more young people inspired
to write in Somali, as well as foreign languages including Arabic and
English.
– ‘The value of books’ –
“It introduced young people to the value of books — something they didn’t
know before,” she said.
Jama Musse Jama, a researcher at the University of Pisa, returned from
Italy in 2008 and founded the fair.
He had previously assumed that his countrymen did not read because of
their strong oral tradition.
“But then I came here and I realised that was not the reason. What was
missing was the raw material. There were no books circulating,” said Jama.
“We forgot who we are. We forgot art, culture, music. You know, in the
40s, 50s, 60s, Somali music used to be one of the best African music scenes.
Today maybe young people have no idea what Somali music is.”
But Jama insists that “things have completely changed” as awareness of
literature and other art forms has grown.
Photographer Huda Ali, who in 2017 published an anthology of images
depicting Somaliland, agrees.
“Ten years ago they were sometimes surprised to see a girl with a camera
in the street — it was something very strange to accept. But over time they
changed,” she said.
A delegation from Rwanda were the guests of honour at this year’s event.
Rwandan artist Carole Karemera said that Somaliland, like her own country,
had been buoyed by a new artistic “self confidence” after coming close to
total destruction.
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