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‘Spider-Man: Into the Spider Verse’ wins Oscar for best animated film
HOLLYWOOD, United States, Feb 25, 2019 (BSS/AFP) – “Spider-Man: Into the
Spider-Verse” on Sunday won the Oscar for best animated film — a reward for
its stunning, innovative visuals and strong messages about diversity and
family that won over both moviegoers and critics.
“To our audience, thank you so much. We love you, and we just want you all
to know — we see you, you’re powerful. This world needs you,” co-director
Peter Ramsey told the audience at the Dolby Theatre.
The film — directed by Ramsey, Bob Persichetti and Rodney Rothman —
introduces movie audiences to a new Spider-Man, Miles Morales.
The half-black, half-Latino teen — like Peter Parker before him — is just
trying to survive adolescence in New York, find a girl who likes him and
figure out who he is.
But a bite from a radioactive spider changes all that.
And things get really weird when Miles is thrust into a free-wheeling world
with multiple Spideys in parallel dimensions, including Spider-Ham (yes, a
pig) and two women.
Parker is in the film as well, as a mentor to Miles.
The classic tale of good and evil is told in a new way — rather than be
stuck in some cardboard comic-book universe, this Spider-Man for a new
generation wears Nikes and listens to rap.
The film is a perfect antidote to the #OscarsSoWhite complaints that have
plagued the Academy of Motion Picture Arts and Sciences in recent years.
And it fits in with the new faces of Marvel blockbusters, especially those
seen in best picture nominee “Black Panther.”
“In a way, the heart of the movie is Miles’ coming-of-age story, but we
wanted to tell this in a completely new and unconventional way,” said
producer Christopher Miller, director of the big-screen “Jump Street” films.
“We wanted to put someone totally different in Spider-Man’s shoes and under
that mask.”
– ‘Unusual compositions’ –
“Spider Verse” recalls the visual style of the original comic books, with
less refined art and speech balloons that appear on screen.
“There are flash frames that allow for unusual compositions, and there are
new sound effects and stylized visuals that are spread throughout the movie,”
Miller said.
“There are scenes where you feel you are inside a comic book.”
But it also incorporates new ways of looking at animation.
In one jaw-dropping scene, Spider-Man jumps from a building as he is
discovering his powers. But the camera angle turns, giving the impression
that he is falling… up.
It’s simple but effective, and kept moviegoers glued to their seats and
cheering: the film has so far earned more than $350 million worldwide and a
97 percent “Fresh” rating on Rotten Tomatoes, which aggregates reviews from
critics.
Miles is voiced by 23-year-old Shameik Moore, an Atlanta-born actor and
singer with Jamaican roots.
The cast also features Oscar winners Mahershala Ali (Miles’s uncle) and
Nicolas Cage (Spider-Man Noir), and Oscar nominees Hailee Steinfeld (Spidey’s
love interest Gwen Stacy) and Lily Tomlin (Parker’s Aunt May).
And like any good superhero flick, there are Easter eggs for fans.
There is the customary cameo appearance by Stan Lee, the co-creator of
Spider-Man and Marvel legend who died at age 95 a month before the film’s
release in December.
The name of the other mastermind behind Spider-Man — Steve Ditko, who died
in June 2018 — is listed in Miles’ phone directory.
BSS/AFP/GMR/0915 hrs